Saturday, June 2, 2012

Jack White |The Blunderbuss Tour | The Wiltern, Los Angeles CA | May 30 & May 31 2012


I flew to Los Angeles last week to catch Jack White in concert.  When I mentioned to people in LA that I came from Texas, their typical response was, “Just for this?”  I say, what do you mean “Just?”  That  $250 plane ticket was money well spent for an unforgettable experience.

Jack White's sold out show at the Wiltern, Los Angeles.
Allow me to bring you up to speed.   Jack White recently released his first solo album, Blunderbuss.  If you know me at all, you already know that I have been a fan since around 2003 and in my eyes Jack can pretty much do no wrong.  I even wrote a review of the new album before I heard it in it’s entirely, and it received five stars from me, of course. 

Jack is best known for his work in the White Stripes.  My obsession love for Jack might have begun with the White Stripes, but it doesn’t end there.  Not even close.  After the White Stripes, but before Blunderbuss, there were a couple of albums with the Raconteurs, then a couple with the Dead Weather.   Jack has done collaborations with everyone from Wanda Jackson, Detroit rapper Black Milk, Loretta Lynn, and then we can never forget (as much as we may wish to) Insane Clown Posse.  The list of collaborations goes on and on.

Last year when the White Stripes officially announced their break-up, the entire red and white swirl community felt their collective heart break.  It was hard to believe that Jack and Meg were now in the past, that there would never be a new album, a new tour or even a new song.  Almost a year later, the pain was eased a little bit when Jack announced the news of his first ever solo album and supporting tour.  Jack doing what I think Jack does best, performing. 

I have a yearly tradition of seeing Jack White in concert, a streak that I have upheld since 2007.  Some years it was Jack with the Raconteurs, some years it was Jack with the Dead Weather.  I even caught him (and shook his hand) in Los Angeles last year supporting Wanda Jackson playing guitar in the Third Man House Band.  Although I have been a fan of Jack since the first White Stripes album, I never have had the opportunity to see the White Stripes in concert.  And after their split, that chapter was closed for good.

When the tour for Blunderbuss was announced, my heart sank because Dallas was notably missing from the tour. What is a fan girl to do?  Buy a plane ticket, of course.  One of my oldest friends live in Los Angeles, so when I saw there were two shows at the Wiltern, I was sold. 

Through my paid membership in Jack’s fan club, The Vault, I was able to purchase pre-sale tickets for both nights at the Wiltern before they went on sale and enter a contest to be one of ten Vault members (plus guest) to win early entry to the venue.  Early Entry is a privilege to enter 15 minutes before the doors open, to either gain prime positioning at center stage or at the merch booth to be first in line for tour-only limited edition vinyl. 

The afternoon of the show, I received an email from Third Man Records, Jack’s record label, informing me that I have won the contest for early entry into the venue.  My email instructions said to line up early outside the venue and a “sharply dressed man” from Third Man would come out and collect us about 15 minutes before doors open.   I almost couldn’t believe it.  I have entered the contest for early entry for every Jack White show that I have been to since becoming a vault member a couple of years ago and I have never won, until now.

We get to the venue a couple hours before doors and begin the waiting game.   I never stood in any of the long lines wrapped around either side of the building; I just hung around the front of the venue trying to spot some other of the Vault early entry winners so that maybe we could collectively figure out what we were supposed to do.  There were people standing in line who said they had gotten there as early as 8:30am to ensure they got good positioning in the pit.

me, overly excited after I picked up my ticket from the Will Call window.

After a couple of hours of waiting, it was just a few minutes before doors open and no sharply dressed man came out to collect us.  The box office and venue security had NO IDEA about the Vault, or the early entry contest, and really didn’t seem to care.  Me and my fellow Vault winners were starting to worry if this early entry thing was going to work out after all (OK, maybe it was just me).  If we had to get to the back of the line at this stage in the game, there would be no way we would make it anywhere near the pit.

As we were waiting, someone stopped us on the street and asked a group of us who was performing at the Wiltern tonight.  When we told him Jack White, he asked us what kind of music Jack performed.  We all kind of laughed as we really weren’t able to answer that question in a couple of words.  Although I love Jack for his rock music, it is just a small piece of what he does, especially on this new Blunderbuss album.

Finally just five minutes before doors, a sharply dressed man female came out with a list of names and after checking our ID’s, let us through the doors into the merch booth area, but still outside the stage area doors before anyone else.  All of the other vault members headed to straight to the merch booth to get their hands on the limited edition vinyl.  I was the only one, in fact, that stood in front of the stage area door.  I would have LOVED some vinyl, but I really had no way to get it home and I didn’t want to carry it around all night, so I let that opportunity slip past me.

I stood, first in line, at the stage doors once again…waiting.  When they finally opened, I was the very first person through the doors and took my place in the pit, center stage, first row.  The stage was about shoulder-height, so I stood armpits deep into the stage and once again waited, as I watched the venue fill up behind us.   I spent some time looking at the empty space in front of the microphone, just out of arms reach, almost in disbelief that after some more waiting, Jack would finally fill up that space.

I generally never like any opening bands, ever.  I think it is usually the excitement and anticipation of the main act that leaves me impatient to sit through anything else.  The major exception being when Jeff The Brotherhood opened for the Kills earlier this year.  I have to say that I thoroughly enjoyed Pokey Lafarge, although not the type of music, at all, that I generally appreciate. I may have been looking at Pokey, just mere feet in front of me, imagining he was Jack. 

Pokey Lafarge was a fun band and the cute personalities of the talented band members showed through.  Although not my usual musical-cup-of-tea, their songs were catchy and I’m glad I they were there to entertain me and help pass the time before Jack took the stage.  I honestly enjoyed every moment.

Finally, after many waiting hours in the making, Jack and his male band, Los Buzzardos, took the stage.  I was quite happy to see the male band come out.  Jack plays with two backing bands, one all-female and one all-male, and you never know which band you will get until they take the stage.   After watching a couple of live concert performances online, I had decided that while I really liked the girl band, I preferred the male band because, in my opinion, their sound was more of a rock-music style and somehow Jack seemed looser and more relaxed with the men.

The next hour and half was the shortest in my life.  It was a whirlwind.  There he was, right there, playing this explosive set, spastically jumping all over the stage, repeatedly knocking down cymbals and guitar stands along the way.

As I stood there (I mean jumped and screamed there), I almost couldn’t believe at certain moments that I was standing in front of Jack White as he performed White Stripes songs.  After the break-up, I never thought that I would have this opportunity; the opportunity to stand less than 5 feet from Jack and sing along to some of my all-time favorite tunes.

What I am going to say next is going to be wildly unpopular within the White Stripes community.  When Jack and his band played White Stripes songs, I didn’t miss Meg.  No death threats please.  White Stripes fans are pretty serious about their love for Meg.  Don’t misunderstand me, I LOVE Meg too.  There would never have been the White Stripes at that level of popularity without her.  She is sweet and adorable and had the perfect stage presence/style for her role in the White Stripes.  But let’s be honest, Jack musically was always 99% of the White Stripes.  As far as anyone could tell, he directed her every move, every note.  I don’t intend any disrespect for Meg, and while Jack always defended her simplistic drumming style, Meg was never a great musician.  Oh My Gosh, do you hate me yet?  So when Jack played those same old songs with a full band of super talented musicians, I may have enjoyed them more than I ever had.  I’m pretty sure I am the lone-holder of this opinion.  I swear I love Meg for everything she was and contributed to the White Stripes, I just hold this new appreciation for those old songs played in a new way.   I think this is Jack respecting the past and giving the fans what they want, but still moving forward.

I promise, it is true.

At one point in the night, I got hit in the head with a drum stick that I believe the drummer threw out into the audience after it broke.  Honestly, I didn’t know what happened until it was over.  It hit me square in the noggin, knocking my sunglasses off the top of my head.  As I struggled to regain composure and get my glasses back, I witnessed the scrambling that ensued on the floor behind me.  I didn’t put it all together until a girl emerged from the chaos holding the drum stick in the air, like a prize. 

I think Jack best showcases his talent in a live venue.  I loved every song on Blunderbluss, but experiencing those same songs live gave me a new love and new level of appreciation for them. I may even have formed some new emotional attachments to these songs, the same sort of attachment that I have to his music from his other bands.  There is something that I can feel inside, in my soul.  It is hard to explain unless you experience it.  It was a whirlwind of a set.  He played songs off of Blunderbuss, many White Stripes songs, a Raconteur song, his single from the Danger Mouse produced album, Rome, and even a Dead Weather song (I may have missed Alison on that one).  It was Jack doing all the things that Jack does best, all at once, in one night, on one stage.   Then it was over, for the night.  We would be back for the next night's performance, which would undoubtedly be with the female backing band, the Peacocks.

The second night, we decided to approach things a little differently.  I did not have any special privileges regarding early entry for this performance, so if I wanted up close, I’d have to stand in line for hours on end like everybody else.  I felt like I got to experience the front row pit the first night, and I wasn’t sure I had the patience to spend hours waiting again outside the venue (I am getting old after all).  We ultimately decided to get to the venue area early, but to eat a leisurely sushi dinner and then have a couple of glasses of wine at a nearby restaurant on an outside patio instead of waiting in line again.  It would be a more relaxed night. We hung out down the street most of the evening until we knew Jack was ready to take the stage.

Me and Mikki not stressing about being in the front row.

Unlike the previous night, we effortlessly, easily and stress free walked through the doors long after most everyone else.  We took our place on the floor, not anywhere near the front row, but still half-way decent positioning in the general admission standing area.  I saw a girl who looked just like a Black Bell, and although she wasn’t (she’d be back stage if she was, right?) I still felt the need to talk to her about it.

I somehow got separated from my friend and I really have no idea how this happened, but a venue employee came up to me and said, do you want to go in the pit?  Do I?  Does Jack White sometimes resemble Edward Scissorhands? Of course!  She slapped a wristband on me and before I knew it, I was once again standing (I mean jumping, dancing) in the pit area about 5 rows of people back.

At the beginning of the show, they asked us not to take pictures.  They said Jack wanted us to be present for the show and enjoy it with our own eyes and not through a camera lens.  They promised to post pictures online that we could download for free.  The first night I saw many people in the pit taking photographs.  Clearly the others around me did not feel this same way, but I thought it would have been a little disrespectful to Jack, being so close, snapping pictures right in his face, when I knew he asked us not to.  But the second night, I could snap a few pictures from a little further back, a little less obvious.  Most of them came out blurry and dark, but here is a shot of Jack sitting at the piano from my vantage point on night #2.
Jack White with the all-female band


While I felt a little less connected the second night, it was another epic night of Jack.  It was less stressful more laid back.  I was not as up front and personal, but still very fun and amazing none-the-less.

Jack is playing Austin City Limits this October, so he will be in the Texas neighborhood. You know, because Texas is known for being quaint and small.  I am hoping that he will stop in Dallas and do a show on his way home and I will have another opportunity to see him perform live.

While I am still sad to see the end of the White Stripes, I think this new album and live concert experience sealed the deal that future the of Jack White is very bright (white)! 








Sunday, April 22, 2012

Races and Records and a Zoo, OH MY!

April 12 2012 Record Store Day & the Fort Worth Zoo Run:



Many of you know that I write two blogs about my equal but separate passions.  One is a running blog called Running For Dummies and the other is a music related blog called Fell in Love with a Band.  It is not often that my two passions intersect, but on April 21 2012 I got a taste of both, by accident really.  Although I always look forward to Record Store Day and this year was no different, I had a temporary memory lapse and signed up for the Fort Worth Zoo 10k run on the same day.  At first, I was a bit distraught by my (lack of) planning because I already paid to run in the race and any good Record Store Day hunter knows, you have to get in line early to get the limited edition releases or else, well you probably won't get them.  Last year I suffered a bit of heartbreak when my shot at a White Stripes colored 7" slipped through my fingers despite my early arrival at the record store to stand in line. 

The Zoo Run was scheduled to start at 7am.  I called around to the local record stores and found out that Doc's Records and Vintage in Fort Worth was opening at their regular time of 11am, so I hoped that I could run the race quickly and get home in time to stand in line at Doc's.  Last year I got up at 6am to stand in a line wrapped around the block at Good Records in Dallas and still didn't get what I wanted, so I wasn't sure my plan was going to work out at all.

Who gets up at 5:15am on a Saturday?  Only crazy people do, I swear.  Well, that is what I was thinking when the alarm went off.  After several cups of coffee and a banana I was ready to go.  I had plans to meet my running friend at the zoo, but a last minute text from her and I learned I was running this one on my own.  I was in my car and on the way to the Zoo by 5:45.

God blessed me with many redeeming qualities, but a sense of direction was not one of them.   The directions I had printed simply said to go South from the exit off the highway.  South?  I turned right.  That seemed South-ish to me.  After a  mile or so down a dark road without another car in sight, I assumed (correctly) I was going the wrong direction.  With a sold out race, I knew by now all the other thousand racers turned the OTHER south and my sole car was the only one traveling in the wrong direction away from the zoo.  Good thing I left early.

After a quick turn-around I eventually did find the Fort Worth Zoo.  I easily pulled into the main parking lot and found a easy-to-locate-later parking spot near the front.  Hassle Factor: 0.  I walked over to the start line wearing just shorts and a tank in the brisk morning taking comfort in the knowledge that as soon as I start running, I will be glad I didn't wear long sleeves or layer up. 

They had a pre-race warm up at 6:30am which was hosted by none other than my former boot camp coach Eliud from Fort Worth Boot Camp.  We did some stretching exercises and some dynamic warm-ups.  After a round of jumping jacks, high knees and butt kicks I started to worry I was wearing myself out before the race even started!  It was a little butt kick (no pun intended) before the race started, but by now I was really feeling good!

I was right up front at the start line and ready to go at 7am when the start horn sounded.  I took off at a faster than comfortable pace due to the adrenaline and had to force myself to slow down.  It just seemed like everyone was passing me at this point and my Garmin was reporting I was running at an 8 minute mile pace!  I had to remind myself that I race against myself, not anyone else.  The first part of the course was awesome, as the name suggests, through the Fort Worth Zoo! Nothing like running past an elephant's large ass to distract your brain from the running.   It quickly wound out into the streets of Fort Worth/TCU area.  It was perfect weather, apparently 40 degrees warmer than the race last year on the same day.  Oh yeah, I remember that cold morning last year, I was standing outside at Good Records waiting in line.

The best part of running a 10K, as opposed to longer distances, is that it is over before the real pain sets in! Don't get me wrong I love running half marathons, but there is usually a point in the race you think you would rather die that keep running, but it all pays off in the end.  I promise.  I couldn't believe how quickly it seemed I made it to the finish line.  It was a faster 10K for me than ever before, a new PR  at 53:32, a 8:30 average pace.  

STATS:
I came in 257th place out of 1068 total people
81st out of 615 women
15th place out of 75 women age 35-39
and once again, as I like to report when the results are searchable by first name, I came in very first place out of women named Lea or Leah.  (There was only one other Leah in this race).  I may never come in top of my age group, but maybe someday I can proclaim myself the fastest Lea (or Leah) in DFW.  I digress.

This is me after the 10k


As soon as the race was over I ate a banana, downed a water and rushed back to my car.  I had some serious record buying to do!  I race home and hubby head out to hunt for our record store finds.  If you know me at all, you know the only record that I really cared out finding today was the red vinyl White Stripes Record Store Day release of  Handsprings/ Red Death at 6:14. 



I have a secret that I learned (too late) during Record Store Day 2011 that I will share with you all, but please don't tell anyone because this is my little secret and I don't want to ruin it with a lot of people showing up.  The Movie Trading Company gets the special Record Store Day releases too.  I have no idea why.  They are hardly an independent record store, which Record Store Day is supposed to promote.  They are a chain store selling new and used movies and music, with one single rack of records in their stores.  Last year I stood in line at 7am in the cold for over an hour waiting to get in Good Records with literally 100's of other people and still didn't get what I wanted.  This year will be different. I drove up to Movie Trading Company five minutes before they opened and waited for them to unlock the door.  There was only one other man waiting and he was 90 years old with a bag of used movies ready to sell or trade, I doubt he was going to fight me for my White Stripes record (but I stood ready with strong elbows, just in case).  I was feeling a little like the smartest record buyer in DFW.

When the door opened, I rushed to the counter and asked to see the 7" releases that I could spot sitting behind the counter. The girl held them up for me to see and Russ spotted my beloved White Stripes, but she doesn't hand them over.  But Wait!  She then informs us that she is not permitted to sell the Record Store Day releases until noon?

But Why, I ask?
That is the rule, she informs me.
Huh? I wonder what rule she is talking about when I know Record Stores all over the country are selling them as we speak.

I walk away disappointed but with plans to return at 12.  I was so close to getting my record, but still so far away.  We had a plan B.

Doc's Records and Vintage opens at 11.  We head that way to stand in line.  By the time we arrive at Doc's about 30 minutes before opening there were only about a dozen people in line.  Looking good for me, except I spotted one person wearing a Third Man Records Rolling Record Store shirt.  At least one of these people was a die-hard White Stripes fan and depending on the number of copies, he could stand between me and my record.  While I was standing in line my ultimate fear of not getting  my record and repeating last years disappointment was diminished when my friend Leslie tweeted that said she was able to get 2 copies of Hang Springs and she would let me have one if I wasn't able to get one of my own.  She is so nice!  I felt a sense of relief that even if Doc's and Movie Trading Company don't work out, I ultimately wouldn't be left empty handed.

The doors at Doc's opened and probably 50 of us were huddled around several boxes of the Record Store Day releases set up on two folding tables.  It was crowded to say the least.  I instantly spotted the White Stripes and scored two copies.  I had to push through the crowds to thumb through the 7" box to find the Karen Elson and was happily surprised to score the Upstairs at United, Jeff the Brotherhood LP.  Honestly, I wanted to browse more, but it was just too dang crowded.  I decided to be happy with what I had and with that, we called Record Store Day 2012 a success.

April 21st 2012 was a good day.  I walked away with a new running PR and my beloved White Striped colored vinyl.  












If you usually read my blog because you share my passion for Jack White, then I hope you enjoyed getting a glimpse into my running world and vice versa.

Tuesday, April 17, 2012

Blunderbuss: A Completely Biased Pre-Review...

Blunderbuss: A Completely Biased Pre-Review of an Album I Haven't Heard in its Entirety.



Asking me to write an unbiased review of Jack White’s new album "Blunderbuss" is like asking an 8 year old to write an objective review on Disney World. There is just no way I won’t love this album. Jack could put out an album of instrumental accordion work and I would probably be first in line to buy it. This is not to say that I think Jack can do no wrong. Remember that whole ICP 7” thing? Yeah, still not loving that one.

It is just that Jack is continually evolving, as he should. He is not the kind of artist that is going to rehash his successes over and over again. This is not a White Stripes album, nor is it intended to be. If you are expecting a repeat of what you have heard in the past, you will probably be disappointed.

I can’t help but remember back to when the White Stripes "Elephant" CD came out. Remember way back then when people still listened to CD's? This is almost embarrassing to admit now, but after the very first listen back in 2003 I thought, “What the heck is this crap?” Yes, I thought that (blushing). Shortly after, I woke up and realized that "Elephant" is pretty epic, but it wasn't "White Blood Cells." At that time, I wanted another "White Blood Cells." Jack and Meg were evolving. I didn’t get it, at first. I listen to it today and try to remember what it was that I didn’t like at first and of course, I have no idea.


The first song the world heard off Jack's new album "Blunderbuss" was "Love Interruption," a sweet sounding but lyrically bitter acoustic duet with Ruby Amanfu. It gave us our first hint into the excitement that would be Jack’s first ever solo album, but Jack was quick to point out that this song was not representative of the tone of the album. Which only led to more wonder and excitement about what to expect.

Then on 03-03, a date that was fitting for Jack White, we heard a second song from his album during his performance on Saturday Night Live. “Sixteen Saltines” made me thirsty for more. This is the kind of stuff I was hoping for, Jack doing what Jack does best on guitar. In response to a comment that the album was 90% piano, Jack said in a vault chat that “There's more guitar solos by me on this record than any I’ve made since Icky Thump.” I took that comment as sort of tongue in cheek. (Jack, sarcastic? No.) After all, Jack has put out three albums since Icky Thump in 2006, but on two of those albums (the Dead Weather), he was the drummer. He wasn't doing many guitar solos at all.

"Freedom at 21" was the third song released ahead of the album. On April 1st, TMR released a limited edition Flexi Disc of this vinyl single by attaching them to helium balloons and letting them fall from the sky into lucky fans hands. While I had hoped for some strong winds to blow a balloon from Nashville to Fort Worth, it seems a bunch got tangled together and one very lucky family ended up with several copies. Of course, they ultimately landed on E-bay, and it sold for over $4000. Lucky bastards. Note to self: Work on convincing hubby to move to Nashville. Oh yeah, the song, I almost forgot. Love it. Seriously. I think my favorite of what I have heard so far. I am growing more excited.


Now it was time to just sit back and wait (not so) patiently for the April 24th release date. Then I heard over the week-end that the album leaked. I struggled with whether to download the torrent. I have already pre-ordered the vinyl (so therefore already a paying customer) and I have a strong aversion to paying for the same album twice (i.e. vinyl & iTunes), I even wrote a blog about that once. Downloading the torrent didn’t present a moral issue. It was more about waiting and letting the excitement build and hearing it as (and when) it was intended. Almost as soon as I decided that I would wait for the official release, Jack went ahead and made it available to stream on iTunes for free a week before the album officially came out. Free, Legal, Now.

So what is a girl to do? My very favorite ways to listen to a album for the first time is to put it on the record player or put on my headphones and go for a long run. Both of these methods allow me to focus on the music with no distractions.

I caved. I am listening to the album for the first time via on the iTunes stream as I type this blog. Well, I thought I caved. iTunes kept buffering every time it would start to play a song I haven't heard yet. How does iTunes know how to annoy me so effectively? I don't usually have buffering issues on my computer so I can only assume it the universe telling me to wait for the vinyl. Or as a friend posted on my blog Facebook page, when I complained about my iTunes issues, "Careful...your computer may not be able to handle such awesomeness!"

So, here it is, My pre-review of an album that I haven't actually heard in its entirety:

I love it y'all. Of course I do.

This might be the first time I ever typed the (not really a) word y'all in the 14 years that I have lived in Texas. It seems appropriate this time.







Sunday, March 4, 2012

Jack on SNL

Did you guys watch Jack on SNL last night? It is very rare that I stay up late enough to watch all of Saturday Night Live (wow, I sound old), but last night I made an exception because my Jack was performing two songs from his upcoming solo album. I suffered through unfunny Lindsay Lohan sketches to get to the good stuff. In all the years that I have watched SNL, I have never noticed an actor reading the teleprompter, until Lindsay last night. But this isn't about her, Its all about Jack.



The first song was the first single, Love Interuption, from his upcoming solo album performed with Ruby Amanfu and an all female backing band. I just found out the name of the that drummer. She is Autolux drummer Carla Azar. I like her, although its kind of weird seeing Jack perform with a female drummer who is not Meg. Regardless, the whole thing was just lovely.



I stayed up past my bedtime to catch the second song of the night and it was well worth it. It was the first time I heard the new song, Sixteen Saltines, this time with an all male backing band. This is the kind of stuff I was really hoping for the new album. Jack doing what Jack does best. Excuse me while I go eat 16 saltines in celebration of the new album.



I'm pretty excited about this new album, I really like what I am hearing so far. In my eyes, Jack can pretty much do no wrong. Well, except for that whole Insane Clown Posse thing. That was wrong.

I am anxiously waiting for Jack to announce more tour dates near Texas. Maybe an appearance at Southby? Or the Granada? Or House of Blues? Bring it Jack, your fans are waiting.

Wednesday, January 11, 2012

Jack's Been Busy

Oh Jack. He never slows down. I haven’t written a blog since my almost-famous peppermint swirl cookies in December and before I know it I am behind on my blog writing because Jack is so busy, I can’t keep up. We are only 11 days into January. This guy just doesn’t stop.



First of all, Jack was on ‘American Pickers’ this week. What is that you ask? I had to ask, I don’t have cable. It is a reality based TV show on the History Channel that follows a couple of guys around the country who barter, trade and “pick” hidden treasures (aka valuable junk) that they eventually hope to resell for a profit. What the heck does Jack have to do with that? Well Jack happens to be a collector of things weird and one of those things is taxidermy. These guys bought a giant elephant head for just under 10K. They heard through the Nashville scene that Jack might be interested. After all, he even has an album named Elephant. They ship this enormous elephant head to Third Man Records for Jack to have a look. When they crack open the crate, you can see it all over Jack’s face. He is in love. “That is the weirdest looking giraffe I’ve ever seen,” he jokes. But Jack is not so quick to give up his cash. Who knew Jack was such a shrewd negotiator? I mean, besides me. He offers a trade + 6k for the elephant. He trades his first ever Juke Box from his days back in Detroit and also a vintage photo booth that was used in the ‘Hang You From The Heavens' Dead Weather video. I heard from an inside source that the Elephant’s name is Topsy. OK, I read that on the Third Man Records Website. I think both sides made out with a good deal. I’d personally much rather have Jack’s very own jukebox and the Dead Weather photo booth than a big ‘ol Elephant head. But that’s just me. In case you don’t have cable like me, or happened to miss it, you can watch the full episode on the History Channel here. All this Jack reality show talk has got me thinking. I have some ideas for some reality shows that Jack can star in. How about The Real Jack, Jack Rules, Making The Jack, Jack of Love, or even Jack Shore? Come’ on Jack. Give us a peek inside your mysterious world.

Secondly, in case you didn’t know, Jack is the king of strange collaborations. You remember, Insane Clown Posse last year? Strange. It was just announced the latest in the blue series is a Jack White produced 7” vinyl featuring Tom Jones. Jones rerecorded “Jezebel,” a track from his 2002 album Mr. Jones, and a cover of Howlin’ Wolf’s “Evil.” This will be available both as a 7" and on iTunes March 5th. Now I am not saying that a Jack White / Tom Jones collaboration is strange, maybe just a little unusual.



What's next Jack? Oh Wait, I know. An inside source told me that coming soon is Tempest Storm, the oldest burlesque dancer in the world. Well, actually I saw that when the American Pickers Cameras were inside Third Man Records.

Then, this week a new animated video was released for the song "Two Against One" from Danger Mouse & Italian film composer Daniele Luppi featuring Jack White on vocals. You can check it out here.

If that wasn't enough, I received my vault package #10 in the mail this week, the same week
they announce Vault #11.




source

source

So, I will spend the next several days listening to my new split color vinyl, watching my new DVD and wondering, but not for long, what Jack will come up with next.

Sunday, December 11, 2011

Peppermint Swirl Cookies

My peppermint swirl cookies are becoming a yearly tradition. This is the second year I have made them and I can already tell I'm getting better. I just buy sugar cookie dough and red and white icing. I printed a peppermint swirl from Pinterest that I could visually follow while icing the cookies:



Source: bhg.com via Lea on Pinterest



This year when I was buying the icing I didn't pay attention to the tip of the icing package and the white icing needed a tip. I tried to use the white icing with no tip and it was a diaster. Since I am no Martha Stewart and I dont have things like icing tips laying around, I just made the red part of the swirls this year and didn't fill in with the white. I ate all my mistakes with the white icing. I think they still came out pretty cool! What do you think?




















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Saturday, December 3, 2011

Felt Jack & Meg

Before I jump into this story I need to warn you that I am completely craft deficient. I mean, completely. I have this desire to craft, but not the ability. I love PINTERST and am completely obsessed with these DIY projects that I come across, most of which I will never complete due to my complete lack of DIY skills. My theory is that God can't give you everything, or else one would just get a big head. So, He allows us to be lacking in some areas, to keep us humble. Crafting (and singing) are my weaknesses.

With that being said, I started to get some ideas. I saw this on Pinterest and to the naked eye it looks like a simple Santa and Mrs. Claus felt craft project, but all that I could see was Jack and Meg. It's probably all the red, white and black. You may remember my previous post about my desire for a Jack & Meg action figure. The wheels started turning...


Then, because I am obsessed, I was searching Etsy for Jack and Meg and I came across this:

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source
I thought, "$26! really? for some felt?" I can do this for much less. I can do this.

Then, I came across (due to endless internet searches) this web site which offered templates for felt dolls and my mission began.



I made a trip to Hobby Lobby and bought red, white and black felt. I got home and remembered that I was so craft deficient that I didn't even own a thread or needle. I needed to borrow some crafting supplies from my awesome neighbor, Amber. She lent me her sewing kit (which I incidentally depleted by the end of the project. I owe her).

I printed out the body templates and start on my "Jack"


One of the main reasons that I am so craft deficient is that I have ZERO patience. I just want things to be done and fast. It took FOREVER to cut out the body parts, stuff and sew them, then cut and sew the clothing and put them on. After a long period of time (especially for my impatience) I had a Jack Doll that was dressed. I was disappointed when I realized my so-called Jack looked just like Santa Claus. I certainly didn't just spend hours of my time making a Santa. My husband found this hilarious.

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I added the hair. I figured this would make him look less like Santa. But when I added the hair, I thought he looked more like Santa Bob Marley than Jack White. But I pressed on.

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I hoped that once I added the guitar things would start looking up. I found this guitar template online and reduce the size to meet my needs.

Source: google.com via Lea on Pinterest



Once I added the guitar, somehow Bob Marley Santa started to resemble Jack White. I knew at this point that once I added Meg, the whole picture would come together.

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When I made Jack I made the body first, then cut out the clothes to fit him. I realized it would be faster to just make the clothes and stuff them with cotton (I used cotton balls because that is all I had) and then just add the limbs. This is how I made Meg and it WAS faster and worked out just fine.

I started to make Meg, but got held up on her hair. It was a little harder than Jack's hair. The yarn just wasn't working. Then, Hubby who pretty much has no interest in my weird crafting project decided to pitch in and design Meg's hair. Yeah, he would probably rather that you not all know that. But I must give credit where credit is due. I used Hubbies template to cut out Meg's hair.
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Then, of course, you cant have Meg without the Peppermint swirl base drum. I used this template (resized) to make Meg's famous drum head. I made the drum out of felt too and stuffed cotton balls inside. I was running out of thread (and patience) at this point so instead of sewing on the back of the drum (that no one would see), I just used hubbies spray adhesive to adhere a circle on the back to hold the cotton balls in. Hubby was turning out to be quite helpful!

Source: flickr.com via Lea on Pinterest



I cut down some skewers to make Meg's drum sticks and this was the final result! I ultimately stitched Meg's drum to her hip, added hooks to their heads and hung them on the tree. These will be ornaments I will enjoy putting on the tree year after year.

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While I urge you to not look too closely at the sewing quality, I am pretty darn proud of the outcome. They look so cute! Even if it did take me all day. There were so many things I did not get done (like cleaning the house or running) because this project took over my day. Now that I am finished, I understand the $26 price tag attached to the Etsy felt Jack and Meg. Even though the supplies for my project cost about $3 for felt, borrowed sewing kit and already owned cotton balls, spray adhesive and wooden skewers, I dont think I would sell mine for any price!

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Friday, November 18, 2011

A White Stripes Christmas!

It's going to be a White Stripes Christmas! But isn't it always, you ask? I love this time of year, peppermint swirls are everywhere! Have you been inside a Pier 1 or Hobby Lobby lately?

peppermint swirl dreams inside of Hobby Lobby
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My husband likes to remind me that Jack White doesn't hold a patent on all peppermint swirls. But in my mind, he does. Every year when I buy peppermint swirl designed products, I am really buying White Stripes wrapping paper, gift bags, tree ornaments and more! I even bake White Stripes sugar cookies! What would Christmas be without the White Stripes?

my "White Stripes" cookies in 2010. You can check out my 2011 versions here






















When Third Man Records announced their holiday releases 'Winter Bounty', I wasn't sure whether to curse Jack White or to thank him. He continues to put out more must-have vinyl than a reasonable responsible adult should spend during a season that is generally slated for giving, not buying crap for yourself. But who here is a reasonable responsible adult?

Without further ado, here are the offerings from Third Man Records. The White Stripes, most which have been previously out of print:

The Big Three Killed My Baby/Red Bowling Ball Ruth (TMR117) look what BABIES Jack & Meg were!
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Lord, Send Me an Angel / You’re Pretty Good Looking (Trendy American Remix) (TMR118)
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Candy Cane Children/Reading of the Story of the Mag / Silent Night (TMR071)


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Hello Operator / Jolene (TMR067)


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Now, just in case you were thinking that you were getting off easy with just a hand full of 7"s (not too expensive), Jack had to go ahead and offer more crap to add to your holiday wish list. And by crap of course, I mean awesome goodies!

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The Revolution portable record player

Heavy-duty custom 45 box for carrying all of your favorite 7-inch records.


Third Man-branded custom vinyl cleaning kit


Third Man Records iPhone case with component parts made from real vinyl records!


6' Flat auxiliary audio cable by Griffin with custom Third Man Records print


You can check out all the goodies, details and release dates on the Third Man Records website.


..and its not all about the White Stripes. No Sir. TMR is also releasing this holiday season:


Edgar Oliver's "In The Park" "Hunger and Light" (TMR121).



John C. Reilly will release not one but TWO Third Man singles in November


John & Tom: "Gonna Lay Down My Old Guitar" / "Lonesome Yodel Blues #2" (TMR112)



Becky & John's "I'll Be There If You Ever Want" / "I'm Making Plans" (TMR113)


Dear Santa...


Yes. Thank you.


Lea


Thursday, October 13, 2011

How I almost got kicked in the face by a Supersucker and other Rock 'n Roll stories

I only ever had one Supersuckers album: How the Supersuckers became the Greatest Rock Band in the World. All this time (I'm talking 10 years), I just thought it was just one great album. Russ told me tonight after the show that this is a compilation album of their greatest hits. No wonder every song on that album rocked. Russ was a fan and transferred this album to my iPod years ago. It has been on semi-regular rotation on my playlist ever since.

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I somehow got on a mailing list of upcoming local concerts and received an email that alerted me that the Supersuckers were playing a Fort Worth show in October. First of all, touring rock bands generally don't play Fort Worth. Rock bands almost always opt for Dallas. Secondly, it was on the night of Russ' birthday and I thought it would be a fun birthday gift. Since we generally don't like leaving the house after dark (we're old) or crowds of people, but we still like live music and celebrating birthdays, it was a nice compromise. The show was at a small venue, close to home at Lola's in Fort Worth. Lola's is a very small venue, as in 300 people capacity. Russ has played there before when he was drumming for the Blarney Street Hooligans. I was excited to see a band that I liked in such an intimate setting.

The Supersuckers proclaim themselves to be The Greatest Rock 'n Roll Band in the World. While I love their confidence, I wonder if that sort of bravado would work for me. Lea G: Greatest Technical Developer in the World! Yes, it works! I'm updating my resume.

Russ and I and our friend (Super)Dave ate birthday sushi on 7th street before heading over to Lola's on 6th for the show. We get there about 9pm as the opening band is taking the stage. Russ buys his obligatory concert t-shirt as we wait it out for the main attraction. Let me first say that when the guys from the Supersuckers walked in the front door, I knew instantly they were with the band. They have a tattooed, trailer-trash, country yet rock 'n roll, hillbilly style which is not all that uncommon in Fort Worth. However, the band had a more polished (read: richer?) country-trash look that distinguished them from the real folk of say, Haltom City (no offense intended to the fine residents of Haltom City). I describe their look as I-used-to-be-trailer-trash-but-then-I-got-semi-famous-so-I'm-not-living-in-a-trailer-anymore-but-I-still-want-to-look-like-the-part-for-the-music-and-I-still-want-to-look-cool-so-I-do-that-by-wearing-sunglasses-at-night-in-a-dark-room. You could spot it a mile away. I'm just stating the facts as I see them folks.

During the opening bands, two very obnoxious, very drunk dancing girls reminded us why we usually opt to stay home. Why do we not go out much? Oh yeah, That's why. Way to ruin the experience for everyone, girls.

The band takes the stage about 11pm (way past my school-night bedtime on a Wednesday night, BTW). The band reminded us, in case we forgot, that they are indeed the greatest rock band in the world. We cheer because we want to, but also because they blatantly ask us to. This band really knows how to channel the energy of the crowd.

up close and personal
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They put on a great show. Dirty, country, trailer trash, fast, punk rock 'n roll at its finest. The songs sounded as good as or better than I remember from the album. They played a mix of old favorites and some new songs, even if they didn’t play the one song I wanted to hear. They are performers for sure, playing to the crowd. Honest music with a definite tongue-in-cheek delivery. They ended almost each song with a dramatic vertical string instrument pose, there was much (what I call) synchronized jumping and kicking (more on that later) and they were actively encouraging the rock horns hand gesture from the crowd.

The show stopper however, was this little kid in the audience, sitting atop his parents shoulders right in the front. Let's just assume this was an all ages show, because this kid was probably 5 or 6. I didn’t check his ID. He was the cutest thing wearing these big headphones (I assume to protect his still developing eardrums) and the smallest Supersuckers t-shirt I have ever seen. His parents clearly coached him with the rock-on hand gesture and he stole the attention away from the stage all night long. As the guitar player would approach the front of the stage for a guitar solo, the boy would reach out his two little fingers (pointer and pinky of course) and touch the guitar with them. Even the band couldn’t take their eyes off or stop smiling at this kid. The shining moment for the kid was at the end of the show when the drummer, Scott Churilla, went off on this amazing extended drum solo. The kid stood on the side of the stage and did an intense air drumming solo, flailing his arms and body all over the place. I don’t think anyone was watching Scott anymore. Good thing we could look at the kid, but still hear and appreciate the amazing drumming of this guy. I'm sure this boy will have lots of stories for his pre-school class the next day about his night spent at a bar, probably littered with F-bombs that he learned coming from the stage all night. The kid was super adorable and entertaining, but these parents aren’t winning any parent-of-the-year awards. But seriously, the Supersuckers should bring this kid on tour with them.

The band ends the night with a speech about not insulting the crowds intelligence by pretending to play the last song, leave the stage, then wait for cheering in order to come out and play the real last song or two (you know, like they do at pretty much every concert everywhere). He said we would save 5 minutes by skipping the charades and they would have time to play an extra song. Way to be honest and efficient with your rock ‘n roll boys! This is when things got kind of rowdy. You HAVE to expect at almost any rock show, if you stand in the front you are going to get knocked around a bit. It is just a fact. If you are old like me and are not really into leaving concerts with bruises, then you have to stand somewhere else. Up until this point it was relatively calm. I maintained my front row status with no trouble until about the last 3 songs. That’s when the moshing started. On a side note, when did moshing become such a mainstream thing, didn’t it used to be almost exclusive to heavy-metal and hard-core? These days, I swear people will mosh to John Mayer. But I digress.

Now my sweet protective hubby stood behind me and was pro-actively pushing away the oncoming moshers in order to protect his wife, but I was still being pressed-hard right into the stage. I was actually maintaining my balance by leaning into the floor monitors on the stage. Now, if this would have been in the beginning of the show I would have been out of there (so fast) to the comfort of a bar stool in the back of the room, but I knew this was the last song or two so I was hanging tough. This is when I almost got kicked in the face by a Supersucker. Remember the synchronized kicks I talked about earlier? Well, my entire upper body was being pushed forward, well onto the stage. The band did a unison kick to accent a note and I saw a giant black cowboy boot coming right for my face. Maybe I’m exaggerating and the objects were not as close to my face as they appeared, but I ducked just in case. I managed to leave the show unscathed.

The Supersuckers perform like they believe they are the greatest rock 'n roll band in the world and gosh darn-it, they make you believe it too (even if just for that hour and a half).

Are you following my blog? Simply click the blue 'Join this site' button to the left (you may have to scroll down from the top). Thanks, as always, for your support. Lea-Bean

Saturday, September 17, 2011

Cold War Kids - September 15th - Gilley's Dallas

The Cold War Kids kind of crept up on me. They spoke to me in place deep inside my soul when I wasn’t really paying attention. A couple of years ago, I was listening to one of those internet radio stations where you put in your favorite band and they play songs from your band plus suggestions of other bands you may enjoy. If you don’t know my favorite bands by now, your assignment is to go read my back blogs and get up to speed. That day when I first heard “We Used to Vacation” I was only listening on a subconscious level, my mind was fully concentrating on whatever work I was into at the time. The song was probably half the way through before it came to the surface of my thoughts. Wow! Those powerful vocals and lyrics wrapped up in the subdued style of the song hooked me right away. I downloaded the album, Robbers and Cowards, but It was one of those albums that didn’t speak to me on a conscious level at first. I found myself skipping through the tracks when I tried to listen to it. The strange thing is that when these same songs came up in the mix on my iPod, when I wasn’t really paying attention, they almost always stopped me in my tracks. They were the kind of songs that instantly whisked me away from my faraway thoughts, bringing me right back to reality. It turned into one of those albums that the more you listen to it, the more captivated you become.



Then, earlier this year the Cold War Kids released a new album called "Yours is Mine". I bought the vinyl when it came out and downloaded the album. The Cold War Kids even played a show and recorded a live album at my favorite music venue (that I have never been to), the Third Man Records live venue in Nashville. Jack apparently likes the CWK too. So, when I happened across an internet posting that they were coming to Dallas to tour for the new album, I called up my favorite concert buddy and we bought tickets.


Doors at 8. Opening band at 9. CWK’s at 10:15. On a school night mind you, but I am tough, I can do it. It was refreshingly cool this evening. The brutal summer temperatures are becoming a thing of the past as the cool autumn nights start to creep in. The show was at small venue called Gilley’s, but it was ticketed as Southside Music Hall, which is in the same building as the bigger Palladium Ballroom. Confused yet? Yeah, so were we. We were relieved after seeing the giant line of people waiting to get into the Palladium to see Bright Eyes, that the entrance to Gilley’s was “around back.” A short walk down a scary dark alleyway and we were in.


They checked my ticket, swiped my ID at the door and gave me a wrist band that was printed with my name and the words “unspecified venue”. Apparently, I was not the only one confused about the venue name. They don’t even know themselves. At least I had my name printed on my wrist in case I forgot who I was. It was also printed with a big 21. It's been quite a few years since I have been Lea, 21.

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We arrived just in time. The opening band had just started playing their first note. We walked in the door and took our places in the front, stage right. I think I am going to stop making comments about opening bands now because I am always seem to say things like, "no disrespect intended to the opening band, but...." They are almost never good. That's all I have to say about the opening band.


The Cold War kids take the stage and I immediately realized that I didn't know what to expect, as far as band image. I was slightly surprised that this man, that I only knew by his soulful voice from the albums, was wearing a short sleeve oxford button down shirt tucked into his khaki pants. He looked more like an IT guy from my office than someone about to rock the night. Then he admitted he was drinking white wine. Preppy or not, by the end of the night, Nathan Willet brought the emotional intensity of a bonafide rock star.


The show was amazing. The Cold War Kids have mastered the art of dynamics in music. They begin with a mellow sing-songy low key style until the song inevitably breaks into a passionate wailing chorus, which begs for audience participation. The songs are catchy, the chorus' are shoutable. Low intensity, high intensity, low intensity, repeat. This band knows how to capture the energy of the crowd. They delivered.


The song writing is seriously killer. Who else writes songs about being on death row (Saint John), kids of divorce (Sensitive Kid), being an alcoholic father (We Used to Vacation), stealing from the church offering (Passing the Hat) and being in the hospital with no chance of recovery (Hospital Beds) almost all in first person perspective? The Cold War Kids do. I leave each of these songs believing Nathan Willett has experienced each of these things personally, he is so convincing in his passionate delivery.


I got home at 1am, stole a few hours of sleep before the morning alarm reminded me of my work day responsibilities. I was tired in the morning and the next day at work, but it was totally worth it.

The next night our friends asked us if we wanted to go out to a piano bar downtown. What do I look like? I'm in my 20's? I can't go out two nights in a row!

Are you following my blog? Simply click the blue 'Join this site' button to the left (you may have to scroll down from the top). Thanks, as always, for your support. Lea-Bean

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