Monday, March 21, 2011

My SXSW, TMR, Greenhornes Weekend

We were off to Austin. Y'all may wonder why?
To see a big yellow truck, this year at South By.

It was hard to reply, again & again
when asked what shows, we planned to attend.

There is not a show, I tried to explain
I could tell they were thinking, that I was insane.

A store on wheels, painted yellow and black
Selling vinyl and dreams, of a small glimpse of Jack.

It was Friday morning, with a road trip ahead
My sweet hubby driving, with his shoe full of lead.

We made it to town, in about record time
Drove 200 miles, then stood in line.

I was hot, I was happy, but mostly I was poor
After my stop at The Third Man Rolling Record Store.

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We drove in that morning, and drove home that night
A one day adventure and it's over. Right?

Wait, not so fast! Although tired and worn,
We have tickets on Sunday, to see the Greenhornes!

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Now back in Dallas, we head to Deep Ellum
To see the Greenhornes, and hopefully tell 'em

How much we appreciate, their talent, their band
Get all their autographs, and shake all their hands.

The boys were so gracious, and as cool as could be
When they signed our vinyl, then rocked our city

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The weekend was over, and Monday morning came early
Four hours of sleep, but it was worth it... Really.

Can you imagine the perfect end to this tale?
My Third Man vault package arrived in the mail!

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Me and LJ (Jack Lawerance) of the Greenhornes, Raconteurs and the Dead Weather
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(you can watch this video to get a glimpse into the Third Man Rolling Record Store Experience)


March 18-20, 2011


Are you following my blog? Simply click the blue 'Join this site' button to the left (you may have to scroll down from the top). Thanks, as always, for your support. Lea-Bean

Wednesday, March 16, 2011

More Black Gadgets than Faces

Today, Jack White stood in front of his newest innovation, the Third Man Rolling Record Store, during its debut appearance at South by Southwest. Surrounded by 300 fans with his famous yellow and black decor as a backdrop, Jack surprises his fans with a 2 song solo performance. 45 minutes before my phone starts to go crazy with Twitter posts from the Third Man sites. "Jack White debuts the Rolling Record store at noon, maybe something awesome will happen". Then, 40 minutes before the show, "4th and Colorado at Frank...Get here now, or forever regret it...".

I am in Fort Worth wishing I could transport myself instantly from my cubicle in Corporate America to the corner of 4th and Colorado in Austin on this Wednesday afternoon, as Jack is taking the stage (or more accurately, the parking lot).

"There's more black gadgets than faces", says Jack before he begins his first song. Typical Jack-style commentary referring to the number of people recording the show from their cell phones or cameras. I agree that people sometimes miss out on the experience, although physically present, in their desperate attempt to share the experience. However, I am forever grateful for those people who took video for You-Tube and posted pictures to Facebook. Even though I am handcuffed to my desk 200 miles away, I was able to *almost* experience it as though I was there. Almost.

The NPR footage is the best I have seen online. Here it is. Jack performing a Buddy Holly cover he simply calls "A Texas Song" followed by the White Stripes Song "Dead Leaves and the Dirty Ground". Jack's six minute mini set was followed by new Third Man Records recording artist SeaSick Steve who overcame some technical difficulties. I just hope Jacky boy is saving some surprises for Friday when I get there... Enjoy!

Thursday, March 10, 2011

Hell on Wheels?

From my perspective, more like heaven. Jack White just might be rolling into your town. Literally.

Yesterday, Third Man Records unveiled the Third Man Rolling Record Store. According to the video posted by TMR on You-Tube, 97% of high school aged kids today have NEVER been to an independent record store. "Perhaps they couldn’t find one", they mused.

Say what you will about Jack White (I can only think of good things, but that’s just me), but one thing that can’t be denied is that he is innovative. Remember the Triple Decker Record from the Dead Weather?

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How about scented vinyl from Karen Elson? Or the Greeting Card Fold packaging from Wanda Jackson? (You know, it plays music when you open the fold, just like a greeting card). Fans all over the world are chomping at the bit to get their hands on these limited edition vinyl releases, whether it be a split-color of a White Stripes re-issue or a hair record of the live performance of Reggie Watts at Third Man Record’s own venue. Yes, you read right. The Hair Record.

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If you can’t make it to Nashville to stand in line at the Third Man Record Store for these types of releases, then you probably aren’t going to get one, unless you pay exorbitant prices on eBay. But, that is another blog topic all together.

Solution? Jack and team created the Third Man Rolling Record store. Can’t get to Nashville? Maybe the Third Man Record Nashville shop will come to you.

The Third Man Rolling Record Store, painted in the famous yellow and black, "is designed to reflect the look, feel and panache of the Third Man Records Nashville location", boasts a post on the TMR subscription service called The Vault. The retail store on wheels brags of two turntables and a microphone to play vinyl while you shop (Does Beck get a royalty check every time someone uses that phrase?). It has a high quality amplification system so bands can plug into the van from outside and play wherever the truck is parked. TMR is promising to keep it on the road regularly, from concerts to festivals to any other strange location you can think of...or so they threaten.

As your brain is trying to think of what strange locations they may be talking about, think of it like this: If the bookmobile is the nerdy kid in school, the Third Man Rolling Record Store is that cool musician guy that all the girls swoon over.

The Third Man Rolling Record Store is making its debut at the SXSW festival in Austin March 16-20th and is promising exclusive merchandise. I had no previous intentions to going to Austin this year for SXSW, but since the announcement, we are planning a road trip and an overnight stay to check it out. Luckily, I have a very patient husband who indulges me in this sort of thing. We won’t actually have wristbands for SXSW, we’ll likely just check out the TMR stuff and maybe some local events outside the festival. There are plenty of things to do and see around Austin next week-end that don't cost $200 a wrist.

Here it is, another innovation coming out of Third Man Records. I am excited to see where it will show up next, maybe at my house?

I wonder if it is available for Birthdays and Bar Mitzvahs.

You can watch the video here:


Updated: SXSW TMR artist shows and RRS events:

Open daily from 12-5pm and 7-10pm. Here's a list of our scheduled locations:

March 16th - 4th and Colorado (next to Frank)

March 17th - Waterloo Records

March 18th - 4th and Colorado (next to Frank)

March 19th - Rainy St. and Driscoll



Here's where you can catch Third Man artists at SXSW:



* WANDA JACKSON

Saturday, March 20

Rachael Ray's Feedback Day Party at Stubbs



* THE GREENHORNES

Thursday, March 17

1:00pm - Waterloo Performance

1:15am - Domino/Emo's Jr. Performance



Saturday, March 19

7:00pm - Headlining the Consequence of Sound day party at Larimer Lounge



* JEFF THE BROTHERHOOD

Wednesday, March 16

2:00 PM - eMusic Party @ Beauty Bar, 617 E. 7th St, Austin, TX 78701



Thursday, March 17

3:10 PM - PreFixMag.com Party @ 501 Studios, 501 Brushy St, Austin, TX 78702

4:30 PM – Thrasher/Impose Magazine Party @ Scoot Inn, 1308 E. 4th St,

Austin, TX 78702



Friday, March 18

3:30 PM - Volcom Party @ Jackalope, 404 E. 6th St, Austin, TX 78701

10:00 PM - Vice/Noisey.com Party @ Kiss N Fly, 404 Colorado St (@ 5th St),

Austin, TX 78701



Saturday, March 19

11:00 PM - Panache Booking Party @ The Mohawk, 912 Red River St, Austin, TX

78701



* WE ARE HEX

Tuesday, March 15

12:00am - Frank



Wednesday, March 16

The Badlands (time TBA) | Elysium (SXSW Offical 12AM)



Thursday, March 17

Gueros (time 12PM) | Hole in the Wall (time 8PM)



Friday, March 18th

Habana Bar (SXSW Offical 1AM) | Peckerhead's (time TBA) | Red Eyed Fly (time

TBA)



* PUJOL

Tuesday, March 15

11:00pm - Panache Pre-SXSW Party At Scoot Inn, 1308 E. 4th Street (Inside

Stage)



Wednesday, March 16th

4:45pm - AnSo SXSW Party At Spider House, 2908 Fruth Street



Thursday, March 19th

1:00pm - Brooklyn Vegan Day Party At Barbarella, 615 Red River Street

3:00pm - Strange Boys Party At Trailer Space, 401 Rosewood Avenue

12:00am - Pinpoint Music Unofficial Show At Lanai Rooftop Lounge, 422

Congress Avenue



Friday, March 18th

2:25pm - Stay Gold Show At The Eastern, 1511 E. 6th Street

4:30pm - My Old Kentucky Blog Party At Peckerheads, 402 E. 6th Street

7:45pm - Austin Psych Fest Show At Spider House, 2906 Fruth Street



Saturday, March 19th

3:30pm - Psychic Lunch At Spider House, 2906 Fruth Street

9:40pm - Panache Booking SXSW Showcase At Mohawk, 912 Red River Street

(Inside Stage)



Sunday, March 20th

3:30pm Panache Hangover Party At Beerland, 711 Red River Street

Friday, February 25, 2011

Dear Record Company Big Wigs,

I love vinyl. I really do. I cant quite explain it. Maybe it reminds me of my childhood. I had a Chipmunks Christmas record that I used to rock on my portable record player as a kid. When I first started to discover my love of music the world had already moved on to the cassette tape. My first tape? Well, it wasn't mine. My older sister had a Midnight Oil tape that she kept in a drawer in her jewelry box. I was attracted to it because it wasn't the pop music of New Kids on the Block that all my friends were listening to. I used to sneak it from her room over to my best friends house across the street and return it later. I wonder if she ever knew? Good thing she doesn't read my blog. She would probably still kick my ass for stealing (ahem, borrowing) her stuff, just like the old days. The first tape I ever bought on my own was a New Order tape, shortly followed by Depeche Mode, which happened to be my first concert in 1989, I believe. But, I digress.

I read in Rolling Stone that "Though overall album sales dropped 13 percent in 2010, sales of vinyl increased by 14 percent over the previous year, with around 2.8 million units sold. This is a new record for vinyl sales since 1991". No pun intended, I am sure.

I can't explain it. I could go into the whole 'tangible item' reasoning. In a world where everything is a digital download, some people appreciate the art, the lyrics, the photography of a real album that you can hold in your real hands.

Now, don't get me wrong. I love my iPod. It is really inconvenient to jog with a record player strapped to your back. When I drive to work with my record player on the passenger seat, it always skips. A real pain, I tell you.

So, I will finally get to my point. Please, Mr. Record Company Executive, When you have a vinyl record for sale in year 2011, please offer a one time only digital download included with the purchase. I am willing to sign a promissory note that I won't share it with my friends. Well, only with my REAL friends. I wont share with all those people on Facebook. I promise. It all comes down to the fact that I don't like to buy my music twice. Because it is HIGHLY unlikely I am going to walk into my local record store and steal an album from them, you force me to download a torrent file of the vinyl I just purchased.

Let's just make this easy on both of us.

Your skeptical friend,

Lea

Saturday, February 19, 2011

Action Figures

If you know me, you probably know my husband has a rather large toy collection. His ever growing collection mostly consists of Star Wars toys, Hot Wheels and Action Figures (never to be referred to as dolls). In his action figure collection there is a variety of music figures: Jimmy Page, Joey Ramone, a couple of varieties of Kurt Cobain (Courtney Love allowed that?), Sid Vicious, Johnny Rotten, Lemmy, Ozzy, Mick Jagger, Alice Cooper, Ice T (pre Law and Order, I assume), KISS, Slash, Jimi Hendrix and yes, even a collection of Devo dolls (I mean action figures).

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So, if you know me AT ALL, you probably know where this is heading. Where is my Jack White action figure? I think a Jack and Meg dual set would be killer. Of course, Jack and his dang integrity would probably never want to put himself out there that way. So, I am left to my own devices and imagination. This idea has been dancing around in my head for years. What if I create my own Jack and Meg Action figures? After all, I have a red and white guitar Christmas tree ornament that is approximately Barbie size, that could be an accessory. All I need now is a barbie for Meg and a boy barbie doll that looks like Jack. Meg should be relatively easy, find a black hair barbie, pop in some pig tails and the distract away from the fact that she doesn't look like her in the face with a nice red beret. Those action figures never look the same in the face anyway. Just spice up a white drum set figurine with a peppermint swirl and its done. Now Jack will be little harder to recreate. Ken is traditionally too blond and um...tan. Of course you can buy brown hair Ken, but they are typically buff, blue eyed and well...tan.

This one is a bit too "pretty"
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The hair is closer on this one. LOL! But not the right ethnicity to be Jack.
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I got exicted about this one, then I realized it was probably just the top hat
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Still not Quite right, maybe if I dyed his hair and eyes.
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Getting Warmer, at least the facial hair is close. But this is supposed to be a Japanese man.

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It did occur to me today that some of my millions of readers (ha ha) may not know about the White Stripes or what look I am going for here (Gasp! Shocking I know!). So I decided to share my inspiration for this project.

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So, I doubt my little project will ever take off due to its ludicrous nature. Never mind the fact that I cant sew and I doubt the red and black leg pants are available in the Barbie doll accessory section at Wal-Mart.

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UPDATE 09-25-11
I found someone who made one! Gosh I wish this was for sale!
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You can view it on the web site here

If you like this post, check out:

Are you following my blog? Simply click the blue 'Join this site' button to the left (you may have to scroll down from the top). Thanks, as always, for your support. Lea-Bean

Thursday, February 10, 2011

Danger Mouse

Just confirmed: Danger Mouse & Daniele Luppi's album, "Rome", featuring vocals by Jack White & Norah Jones will release on May 16th (UK) and May 17th (US & Canada)

This is a silver lining for White Stripes fan everywhere mourning the end of the White Stripes. We know what you have been up to Jack. Now Meg, what is next for you? I hear Mighty Mouse might need a drummer.


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Wednesday, February 2, 2011

An Open Letter to Jack and Meg White

Dear Jack and Meg,



I get it. Honestly, I do. I understand, to the best of my fangirl ability, the desire to preserve what is special and perfect about the White Stripes. Quit while you are ahead. That is the idea, right? When I saw your tweet this morning, with the link to the story about your official breakup, I was heart broken. But I must admit I was not really that shocked or surprised. I mean, it has been nearly four years since your last album or canceled tour. I have always claimed to be cautiously optimistic regarding a new White Stripes tour. I really wanted it to be true, but I think deep down inside I knew better. You gave us the Under Great White Northern Lights documentary last year. That was amazing, but what I realize now is that it was foreshadowing to the announcement that came today. When I saw you cry Meg, in that final scene, I think I knew right then. I think you were crying about the end of the White Stripes. The end of Jack and Meg. I cried too, but I didn't know yet why.



I will always have my six favorite albums in my collection. I will also always cherish my red and white split color 'White Blood Cells' vinyl. The White Stripes aren't dead. They will live on forever in my soul and my on my record player.



The saddest part of this for me is the end of Meg in the public eye. We all know Jack will be around. Who can guess what is next? A solo album? A new collaboration? Producing some big name or an up-and-coming artist? I expect to see it all. soon. I can hardly wait to see what comes next. But what about you, Meg? I haven't heard from you since 2007. I suspect you have happily disappeared into anonymity. I always suspected that you were never very comfortable with the spot light that shined on you for all those years. You were this regular shy girl who loved music and records and Jack (like me!). The hardest part of this all is that we never had the chance to say goodbye to you Meg.



But, I forgive you Jack and Meg. I am not the kind of fan that holds a grudge. I trust you are doing what you feel is best for you. I get artist integrity. I also understand and want to preserve the perfection that is the White Stripes. I get it. I just have one request, please release 'Get Behind Me Satan' on vinyl as a peace offering to your fans.



Forever Grateful,

Lea

you can read the official announcement here:
http://www.whitestripes.com/

Friday, January 28, 2011

Jack White Shook my Hand (for two seconds and I wrote this seven page blog about it)

Jack White shook my hand but let’s start at the beginning. In case you have been living under a (rock music) rock the last decade, let me bring you up to speed. Jack is best known for his band, the White Stripes and has a little record label called Third Man Records. The White Stripes, consisting of Jack and Meg White, were playing together for more than 10 years when they canceled the end of their 2007 tour citing Meg White’s anxiety. At this point, we still had Jack’s new band, the Raconteurs. They quickly put out two albums and did two tours before rumors of yet a third band was announced. This time Jack on drums, with Alison Moshart of the Kills on lead vocals in a dark, bluesy rock band called The Dead Weather. Three bands, with three different sounds, all drawn from the same roots. I’ll get to more of that later.

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As 2010 came to a close, I could not help but start to feel that 2011 was going to be bleak year in regards to Third Man Records/Jack White. After all, 2010 was just full of fun and exciting things. I started off the year in great anticipation of (The White Stripes) Under Great White Northern Lights box set that was set to ship in March. It included a documentary DVD, a live CD, a live DVD, a coffee table book and of course some vinyl. Shortly after, TMR set up a pop-up Third Man Records shop in Austin, TX during the SXSW festival in March. This offered much excitement, road trip opportunity and rare vinyl! What more could a die-hard Jack fan ask for? How about a Dead Weather show! Live and in person in April. Speaking of road trips, my patient and understanding husband (although sometimes accompanied by an admittedly well deserved eye roll) agreed to go on road trip to Nashville to visit the holy grail of vinyl, the Third Man Records shop itself! Actually, it was his idea, but he probably won’t admit that to you.



We decided to make a trip of it and bought Dead Weather tickets in Memphis for our anniversary week-end. What a full year already and all of this was accomplished by the last week in April 2010. The rest of the year proved to be just as exciting with the introduction of the Dead Weather Triple Decker Record release. If you don’t know what that is, you should you tube it, it’s pretty cool. They were shipping these randomly in mail orders when you ordered the “Blue Blood Blues” single on vinyl. I wasn’t one of the lucky ones who received one in random mail order, but the anticipation of the possibility of it provided enough excitement to last a month! There were many cool Vault packages and then the re-release of the first three White Stripes albums on vinyl. In fact, I was one of the lucky ones who was randomly selected to receive a limited edition split color (red and white) vinyl in my mail order, instead of the plain black one I ordered. Pure excitement. As the year rounded out, I started to think of the possibilities that 2011 would bring. And things were looking dim.



Both of Jack’s other Bands, the Dead Weather and the Raconteurs were unlikely to do a new album or tour this year due to other band members being tied up in other projects (namely their original bands before getting involved with these Jack White projects). Jack said in a Vanity Fair interview at the end of last year that he may be ready to start recording with Meg again, implying a White Stripes reunion (after a four year hiatus). I have heard these vague suggestions before over the years and I am cautiously optimistic.



I have seen Jack White in concert at least once a year for the last four years, in one band or another. I was starting to think that 2011 may be the year that would end the streak.



I started to wonder if Jack would spend more time wearing his producer hat and hang his performer hat for later times. After all, it seems he has been quite busy over there at Third Man since he moved his label from his home town of Detroit, Michigan to Nashville, Tennessee in 2009. Jack has been producing up and coming bands as well as giving a new life to some big names like Loretta Lynn. Which brings me to Wanda Jackson.



20 years before Jack White (or John Anthony Gillis to be more accurate) breathed his first breath, there was Wanda Jackson breathing new life in something of her own. Known for being Elvis’ girlfriend, she was declared the Queen of Rockabilly. Before there were women in rock, there was Wanda Jackson, a true pioneer. However, I had never heard of her before her association with Jack White. His latest project? He was producing the 74 year old legend’s new album. And that is the pure beauty that is Jack White. He took music that I didn’t know or understand or particularly wanted to understand, and interpreted it in way for me that spoke my language. It led me to appreciate music of all genres that I never cared for before; country, folk, rockabilly, and particularly blues, among others I am sure. I never cared for Dolly Parton until I heard Jack cover her “Jolene” with the White Stripes with such passion that it caused me to want to dig deeper in her music. It made me appreciate her songwriting in a way I never could have otherwise. The White Stripes covers of Son House’s “Death Letter” gave me a history lesson in the blues, that I didn’t know I asked for. These are just 2 examples, the list goes on and on. Jack put his brand of rock and roll on these artists and fed it to me in a way I could understand. Now he is producing the likes of Loretta Lynn and Wanda Jackson, putting his spin on their already accomplished, well respected voices.

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So, if you told me 6 months ago that I would be buying a $250 plane to ticket to Los Angeles to see a 74 year old rockabilly queen, I would have thought you were nuts. And before you start accusing me of the same, let me first explain. Wanda Jackson was about to release a new album produced by Jack White, supported by tour dates all across the US. It was announced that on her New York and Los Angeles shows she would be backed by the Third Man Records House Band featuring none other than Jack White on guitar. Now, I have an old friend (let me rephrase that, a young long-time friend) who lives in the Los Angeles area. When she heard about Jack White playing the LA show, my friend told she was going to buy tickets.

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“I wish I was rich, and I could jet out there for the night from Dallas, to see the show…and see you of course” I mused over the telephone. But then the idea was planted. A few more conversations and a thumbs up from the hubby, the plan was set. Assuming I could find a reasonably priced plane ticket, I would fly out on Sunday morning, see the show, spend the night and fly back to Dallas on Monday night. You only live once, right? This gave me the opportunity to see my longtime friend and keep with my current history and seeing Jack White at least once a year.



So, here I am today on my flight back to Dallas writing this blog, expected to arrive in DFW right around midnight on Monday night after the show. I am exhausted, sleep deprived, fighting off a small but growing head ache, but still feel like I am sitting on top of the world. Nearly 24 hours later, I am still riding the high from the show. I miss my husband, the flight attendants are rude and I would give anything for my king size bed right about now. It was all was worth it and I will be saying that tomorrow when the alarms rudely awakes me a 6am for my normal routine back to the corporate world. But, I am getting a head of myself again.



I have to be honest and admit, I didn’t have very high expectations of the show itself. Once again, I habitually fall into my rock routine. I like the music I like and that is it. Jack has a unique way of putting his spin on different genres of music, giving me a new appreciation. But this isn’t Jack covering Wanda. This is Wanda with Jack supporting her (in more ways than one). Rockabilly style music isn’t something I usually gravitate towards. However, I knew it would be worth it to witness Jack’s genius on guitar regardless.

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I know what you are thinking. Get to the point, Lea. The concert? Wanda? Jack? How was it? I’m almost there. Be patient.



We get there early to try to get a decent spot in line so we can in turn can get an appropriately decent spot in front of the stage. The line was wrapped around the small venue, even a hour before doors opened. We stood in line on this gorgeous night and waited. The buzz in line was all about Jack. So, apparently I am not the only Jack fanatic in Los Angeles tonight. A whole crowd of them beat me to the front door. But that being said, when the doors finally opened we snagged a perfect spot stage left. Chit chat with like-minded music fans around me helped pass the time until the band was ready to perform.

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The Third Man Records House band started it off and Wanda came out to the cheering crowd, to put on her show. She was clearly having a great time, with a big smile and oozing sweetness. She and Jack even exchanged the occasional playful nudge on stage. You could see her joy and her passion and those are two things I think anyone can appreciate. You see her and want to hug her. Honestly, you kind of want to be her. If only I could be that cool when I am 74. Of course, she was way cooler than me when she was 36, so it is probably already too late for me. I have to tell you, the music was amazing. I was bouncing around all night, one song after another. Jack, of course, stole the show in the way that he doesn’t intend to do, but always does. This is Wanda’s show and he let her have it, but all eyes (at least these two) always seemed to gravitate back to Jack. The show flew by, and it was over before I knew it. It blew away all expectations I had. I thought I maybe wasn’t going to enjoy the music like I might of another band or style of music. But, I stand corrected. I enjoyed every minute of Wanda and the TMR House Band. Jack at this point was icing on the cake, just enhancing what would have been nothing short of an amazing show without him.

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Show’s over, it probably 12am. So time to go home, right? Wrong. We leave the show and walk behind the venue to check out the exit situation. We see an empty white van at the top of the drive way just a few feet away from the back door. There are 2 other girls already standing around the van, peering in the windows, wondering the same thing we are and hoping the same thing we are: that the back door will open, Jack will walk out and instantly become all of our newest best friend. Right?



As we stood behind the venue, in the narrow drive way squeezed between the assumed get-away van in the warm California evening. One of the other girls standing nearby, takes a knowingly glance at my wedding ring and asked “What does your husband think of you out here” in a tone that suggested she had some sort of knowledge of illicit intentions. I didn’t really understand the question, because after all, I am here to try to sneak the opportunity to say hello to someone that I have admired musically for many years. I was hoping for a hello, a handshake or maybe a picture for my Facebook page. Well, actually I never considered the hand shake. I guess her intentions weren’t so pure and assumed mine were the same. Girls like this give celebrity stalking a bad name. KIDDING FOLKS! The conversation was interrupted by some rustling at the back door. Someone was coming. As we heard the male voices approach, we held our collective breath in anticipation. After a few unknown faces squeezed past us with a quick hello and disappeared down the alleyway, someone announced a face in the pack with Dwight Yokem. How random, right?

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Shortly after security came through and told us we had to move a long now. They walked us to the end of the driveway onto the side street of the venue. Assuming that security was clearing us out, because Jack was actually leaving the building now, we waited at the end of the drive way for perhaps a glimpse of him leaving in the van and a wave. Then, before we realized what was happening, we watched Wanda exit the back door with her husband/manger and promptly loaded in the white van. We informed the security guard who was now keeping a watchful eye on us, our intentions to cheer on Wanda as she drove past us. He politely asked us if we would not do that due to the residential area and late hour. He told us she said she was very touched that we were waiting outside for another glimpse of her. As she drove off, the small group obeyed the rules and waved silently at her as she blew kisses and was driven away. The security guard must have started to soften to us because he informed us he believed Jack would actually exiting from the front of the venue.



We rushed around to the front and I would say less than 20 people were still gathered there some 45 minutes after the show ended. I started to lose patience and was suggesting to my friend that we pack it up and call it a night. My friend thought she saw a limo at the corner and wanted to get closer to investigate. As she disappeared around the corner, I noticed some commotion near the front door. There was a definite buzz from the staff…and then it happened. The doors swung open and out walked Jack and the members of the TMR house band. Now, seeing Jack on stage is one thing, even when he seems like just an arm’s length and a zoomed camera shot away. But this was in the flesh, on my level, not up on stage. We both, if only for a few seconds, were standing outside of the El Rey theatre in Los Angeles California at the same time. Now, it only takes a few seconds to walk from the entrance of the venue to the van parked right in front, so all this happened very quickly. As he hurriedly walked by, I stuck out my hand. He accepted it and gave me a nice firm shake on his way to the van. I didn’t say anything, which would guarantee I didn’t say anything stupid. Although at the time, it wasn’t a conscious decision, I probably couldn’t have said anything if I wanted to. That was all that I needed. They loaded in the band and took off down Wilshire. As quickly as he showed up, he was gone. Jack White just shook my hand!



My friend missed the exchange in her search of the limo, but she redeemed herself after the show the next night. While I was happily sleeping in my bed back in Fort Worth, she was standing outside the El Rey theatre at 1am with a sharpie and a White Stripes book (that I lent her, by the way). She managed to get an autograph and a photo op. Needless to say, I am a little jealous. OK, a lot. She was gracious enough to return my book, autograph and all. And of course, I framed it.

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Now if you don’t know me well or quite understand what this is all about, you might be thinking now that these sound like some sort of ramblings of a 13 year old at a Jonas Brother concert. But you would be sort of missing the point. I always joke that if it was socially acceptable for a 36 year old married woman to have a poster of a rock star on her bedroom wall, that I would. I keep my rock star posters confined to the Man Cave, in which my husband has graciously granted me a small corner for my poster. It is the love for music, the passion for great art and performance and the continuing evolve of this man that has kept me captivated in his music in a way that I can’t quite explain.

(Here is my friend Mikki with Jack White)
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Sunday, November 21, 2010

Can Jack White put back on the Red Pants?

When I first was introduced to Jack White it was the year 2001. He was a boy with red pants with his "sister" Meg singing their candy cane blues. It was love at first listen. Album after album the infatuation grew; White Blood Cells, Elephant, Get Behind me Satan, Icky Thump. Jack could do no wrong. It was the year 2007. White Stripes were on tour promoting Icky Thump and they were playing in Austin, TX, a mere 200 miles away. Tickets went on sale and sold out online in like 5 minutes for a venue that holds an intimate 1800 people. I wasn't one of the lucky ones, or was I? The White Stripes canceled the tour long before they reached Austin TX, citing Meg's anxiety. And it was over. Or so we thought.


By then we had Jack's first so-called side project, The Raconteurs. This was kind of like the White Stripes, but with other musicians (no disrespect intended to the lovely and talented Meg). It was a similar blues-inspired rock, but this time with a full band. This time Jack was sharing the spot light and lead vocals with his Detroit old friend Brendan Benson. To me, this was Jack growing up a bit. No more red pants, no more red white and black. This was a maturing Jack, and I was loving every minute of it. Broken Boy Soldiers followed immediately by Consolers of the Lonely. I caught them on tour in Dallas, TX in 2008. As much I was loving the new project, I couldn't help but wonder, Will we ever see Jack and Meg together again?

Then we were hit with the bombshell (literally) of the Dead Weather. Jack has yet another "side project" super group. This time with fellow Raconteur "Little Jack" Lawrence on bass and Dean Fertita of Queens of the Stone Age. But what is this about? Jack White, our guitar hero, is now on drums and "Baby Ruthless" Alison Mosshart (of the Kills) on lead vocals? I was blown away. This was still a very bluesy influenced music, but much darker; nothing like I had ever heard before. Jack morphed again, this time into a Darker-Grown-Up-Jack wearing nothing but black. The red and white jack from ten years ago was slipping further and further away. I caught the Dead Weather on tour in Dallas in 2009 for the Horehound tour in and in Memphis, TN in 2010 for the Sea of Cowards tour.

I recently read that Jack implied in Vanity Fair that he and Meg may be reuniting. He said "We thought we'd do a lot of things that we'd never done: a full tour of Canada, a documentary, coffee-table book, live album, a boxed set. It was one long project that took almost three years. ~ Now that we've gotten a lot of that out of our system, Meg and I can get back in the studio and start fresh."

Jack is re-married. Meg is re-married. You knew they were not really brother and sister, right? We have all grown up a bit. Now the question begs. Can Jack White put back on the red pants?

We'll just have to wait and see. Is Jack the same boy we've always known? Or has he grown up to a point of no return?

Friday, October 9, 2009

The Dead Weather - an unbiased review.


The Dead Weather - an unbiased review. Ok, as a bonafide Jack White Super fan, I admit I began this a bit biased.

At the great risk of sounding like a 14 year old at a Jonas Brothers concert, I must tell you of my experience at The Dead Weather Show at House of Blues Dallas on Oct 5th. As any rock fan who has not been living under one should know, The Dead Weather is sort of a super group made up of Jack White (of the White Stripes, The Raconteurs), Allison Mosshart (of The Kills), Jack Lawrence - affectionately known as 'Little Jack' (of the Raconteurs) and Dean Fertita (of Queens of the Stone Age).

So, lets back up a bit. The first time I heard of The Dead Weather I was excited. Raconteurs were not on tour anymore and this was a new Jack White outlet. But I heard one song and wasn't immediately hooked. I kind of wrote it off. But then, months later, while doing a Jack White you-tube search I found a live performance of 'Cut Like a Buffalo'. I was blown away. How did I not see this right away? I love drummers (my husband is one, you know) and now my favorite musician guitar-player is now on drums! He was singing and drumming, and even picked up the guitar for a song or two, and it was all I needed. I downloaded their album "Horehound" MP3 from Amazon and by the second time through, it officially became my favorite band of the moment.

As good as the album is, I was floored by the live concert. Don't you love it when the live performance is SO much better than the album (and not the other way around)...when the energy and passion on stage is so intense it could never be captured in a studio? As my friend Cathy said, dont you "love a show when the music makes your insides vibrate and your heart feel like it's part of the drum set"?

Let me first put aside my current obsession with Jack white, without whom I probably would have never heard of The Dead Weather, and tell you about Allison. If I could be a rock star, I would choose to be her (and It is not just for the 'Will There be Enough Water' performance - and if you have seen that live, you know what I mean). Even though my husband, the drummer, tells me he could teach me to play every song Meg White has ever played on drums in about a week, I would still choose to be Allison. First of all, she is gorgeous. Her personality shines through every word, every movement. She makes emotional eye-contact with the audience. She stands on the monitors in the front of the stage and sways to the music so extreme that I worry about her safety (am I too old? am I the only one praying she doesn't fall?). I wondered often as she performed if she was about to have a seizure, a conniption, or an orgasm. And I mean that as the highest form of compliment. The passion was there. She holds her own while sharing a stage with the bigger than life Jack White. Dare I even say she took the spot light? I often found myself fixated on her performance forgetting, albeit temporarily, about JW.

Let's get back to the "Will There Be Enough Water" performance. I was waiting any moment for Jack & Allison to drop their instruments and start making out. The sexual tension on stage... whew.

Then there is Little Jack. Jack Lawrence. "LJ" Also plays with Jack White in The Raconteurs. He is hip-nerdy with his long hair and black-rim glasses. He kills it on the bass and even plays a song on the drums. Amazing! Little Jack holds a special place in my heart.

So, last and certainly not least, we have Jack White. He writes, he sings, he is rapidly working toward legendary status on the guitar(Have you seen "It Might Get Loud"? No? Go now.), he also plays drums, piano and keyboard. All really really well. And he has good hair (sorry, that has nothing to do with the show, I know). Here I go with the gushing. He has a presence on stage. He has that remarkable voice and that talent. It's undeniable.

With all that being said, in closing, the show was amazing. The band was on-point. They were passionate, cohesive and they rocked. This is just not a Jack White band. They are so much bigger than one person.

DEAD WEATHER PICTURES @ HOUSE OF BLUES DALLAS
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